#because they're just really good illustrations

[squeeb100]

I'm trying to parse through why I don't like Jayvik as a romantic ship, and thought I could type it up to maybe offer a counterpoint to people who are writing this viewpoint off as homophobic or ableist. Yes absolutely those are reasons people might not love this ship, but I don't believe either of them is a reason I don't.

So. Heads-up for some Jayvik negativity and some other general criticism of the energy in the fandom (I'm not gonna try to be nasty but I am, by the very conceit of this post, going to have opinions), and a disclaimer that if Jayvik makes you feel seen or happy or anything else that's not bad and I'm not saying this ship is bad and you need to stop talking about it and liking it. I'm just saying I, an individual person, don't particularly care for romantic interpretations of these two, and I don't interpret their interactions as romantic or sexual.

Actually before I talk about anything at all I really like this post and this person has said things a lot of things smarter and better than I will about sex and sexuality and Jayce and Viktor https://www.tumblr.com/ohnoitstbskyen/768136874376232960/asking-sincerely-do-you-see-a-romance-between?source=share

I feel like I'm within the Jayvik demographic. Viktor is my favorite character in Arcane, despite quibbles with how he was handled. For over half my life my major OTP has been KuroFai, which has a pretty similar vibe (storywise, not characterwise) to Jayvik in the back half of the series they're from. The are-they-aren't-they discourse surrounding them was also quite similar for many years. I'm not gonna talk about them really, but here they are.

[image: an illustration of Kurogane and Fai from the manga Tsubasa: Reservoir Chronicle. Fai is a light-haired man with blue eyes, waving at the viewer with a relaxed expression. He has an arm around Kurogane, who is a grumpy-looking dark-haired man with red eyes and Fai's arm covering his mouth]

I'll admit to not having an incredibly good story reason that Jayvik SHOULDN'T be a thing, and I'm not going to present a good analysis really because I think I need to rewatch Arcane more than once to really have a solid grasp of it or a good read of the things that went "right" or "wrong" with the storytelling. This is literally my feelings-based opinion.

I like the idea that Jayce and Viktor have a deep-running love for each other that maybe defies attempts to define it as just friendship or brotherhood or romance or anything. I personally thought, in their final scene together, that the forehead touch was a far more heart-tugging, raw display of intimacy than a kiss would have been, and I genuinely didn't want them to kiss. I hope I've established that this is not because I don't like the idea of men kissing.

This may derive from the fact that I, like everyone, experience attraction in an individual way. For me, to extant, not-fictional people, almost never. I'm not uninterested in the idea of a life partner, and in fact would really like to have a person who I love more than anything in the world to go through life's hardships with, but I have rarely found an individual who I was interested in "romantically." I didn't experience adolescence the same way many of my friends did, and don't experience attraction to others in a way that seems "typical," if we can really define anything or anyone as typical. I have not been in a romantic relationship, not for lack of chances and not because I don't care about people - I have family and friends who I love very very much.

I think it is beautiful, the idea that two people can love each other, and support each other, and be soulmates and die together --- and not be in what mainstream society defines as "romantic love." If you want them to fuck nasty on the lab table that's okay too.

The second reason/cluster of reasons I don't really like romantic Jayvik is a little bit bitter and jaded and I'm sorry. It's the energy in the fandom and I can feel myself being pushed further into a stubborn opinion by the fact that I find this frustrating.

(I am putting on my "hypocrite" shirt)

Arcane has a really diverse cast. There are lots of women. There are lots of nonwhite characters. There are multiple prevalent, plot-important, kickass black characters. There is a canon wlw couple who make out on screen and then definitely fuck offscreen.

I know Jayce isn't necessarily meant to be white. Other than that. I think the fact that the Arcane tag is overwhelmingly Jayvik is just a little suspect. I told you it was a little bit bitter and jaded. I am not seeing the same level of fanart and analysis of specifically women and black characters, and I think that's an interesting energy this fandom is bringing to the table. I am not exempt from this criticism.

The longstanding argument that the reason we don't see more obsession with sapphic ships and characters who aren't (white) men is the lack of them in source material is feeling really hollow right now.

Anyway that's my two cents about Jayvik and if people care, cool, and if they don't, that's also cool. Please refrain from speculating about my sexuality in the comments. Peace and love.

Go donate to a palestininan, sudanese, congolese or lebanese family if you're able. Consider a donation to the Native American Rights Fund or another reputable organization, this week and always. In the wake of this election, you might consider mutual aid programs to help people in and around your community. It's cathartic to get drawn into fandom discourse, but there are bigger fish to fry.

[lettersregardingjeeves]

Jeeves Takes Charge - The Unused Images

Halloa! Well, the whole first story is out, with all its good fun and illustrations from the Strand. So I figured I ought to show you the illustrations I chose not to use, and - for those interested in my inane commentary - tell you the reason why! They're from the American edition published in the Saturday Evening Post, drawn by Henry Raleigh. Let's have a look!

https://www.madameulalie.org/sep/Jeeves_Takes_Charge.html (need image descriptions)

Now, here's where we get to why I didn't include them. The style is certainly lovely, and the Florence depicted here certainly has a nice enough profile to fit the bill. But is that man on the right meant to be Bertie?? He's much too old! The story, which takes place six years in the past from Bertie's telling of it, says that Bertie had been ratted out by Edwin, Florence's little brother, for smoking Lord Worplesdon's "special cigars" when he was fifteen, and that the event had taken place nine years after that incident of tattling. As such, though most characters are not given canonical ages in the Jeeves series, in "Jeeves Takes Charge" Bertie is provably 24 years old (and thus 30 years old when jotting down his telling of it). And while certainly people aged more quickly in the past, I have trouble imagining a 24 year old would look quite so old as this!

The dog is excellent, however. As far as I can tell, there is absolutely no suggestion of a dog even existing in this story. Mr. Raleigh clearly just wanted to draw a really long dog, and by God I do not fault him for it.

Bertie, that knight is not hiding you at all whatsoever.

I actually prefer this Edwin to the Strand version, however. What a jaunty lad.

And I will say, I adore this Jeeves. Look at his nose! His calm, self-satisfied expression! Honestly both illustrators did such a fun job with their respective Jeeveses in this final scene.

Anyway, that's all! Thanks for listening!

[nientedal]

imagine you were mauled by a bear.

you were mauled and it was awful. it left scars on you that may never fully and completely heal. maybe it nearly killed you. bears are now a trigger for you. full on panic at the sight of a bear.

now imagine some people in your town enjoy dressing up as bears. they put on homemade costumes for fun and occasionally meet up. most people are just there to play dress-up with other folks who enjoy wearing bear costumes, but maybe a few of them also play pretend with each other. nobody gets hurt-- they aren't real bears, and they wouldn't want to be! it's just fun to play pretend.

but you were mauled by a bear, and one day you're out walking, and you see some of these people on the other side of the road, and you freak out. most of the costumes aren't even very realistic, but you start screaming at them anyway, throwing rocks, grabbing other people and pointing, trying to get them to throw rocks too, because what the fuck? what the hell? what kind of sick freak pretends to be a bear? don't they know bears are dangerous? and what if there's a real bear in one of those costumes! or what if they're dressing up as bears because they want to maul people! throw rocks! harass! throwing rocks at people in bear costumes is good and righteous! you were mauled by an actual real bear and this is all definitely a reaction to an actual real threat and not at all a trauma response!

meanwhile, the people who enjoy dressing up as bears are trying to explain it's just for fun. they just enjoy playing dress-up. even those who do enjoy pretending, are only pretending. it's just acting. and look-- Ted over there was mauled, too! he likes dressing up as a bear because it gives him a situation he controls. but nobody is trying to actually be bears. that would be fucking deranged.

but it doesn't matter. you were mauled by a bear, and people in bear costumes feel the same to you as bears. it doesn't matter why they dress up, they OBVIOUSLY deserve to be attacked like bears. and anyone who disagrees with you must also be a bear, because omg don't they understand bears are dangerous and people in bear costumes are basically the same as bears!!!

if you react to works of fiction the same way you react to harm done to a real live human being, you are failing to recognize that human beings are separate from works of fiction. whether you're experiencing a trauma response and can't make the distinction, or you were told this was the best way to support people who are traumatized, i don't know, but the result is the same. you need to understand that people are not the stories they enjoy. stop throwing rocks at people in costumes.

[moongothic]

So the One Piece brand has been doing radio broadcasts called Strawhat Space (/Mugiwara Space) where they bring in voice actors to chitchat about the series etc, most of the episodes they've featured just the main cast but they've started bringing in VAs for other characters too (one episode was Mayumi Tanaka/Luffy and Tomokazu Seki/Lucci, another was the OG three admirals etc) This week's broadcast featured Ryuuzaburo Ootomo and Yuriko Yamaguchi as Crocodile and Miss All Sunday respectively

The promotional images for Strawhat Space have been Extremely Adorable and I know I'm a simp but god, this one is so cute

Now unfortunately, while my Japanese listening comprehension is good enough to follow along your average kids anime where the VAs speak clearly and take their turns, yeah, a radio show where the VAs stumble on their words a little and speak over each other is too hard for me to keep up with (not to mention my vocab just not being suited for this kinda thing)

But, if I didn't completely misunderstand Yuriko at one point, she seemed to mention that she hoped Crocodile would remain in the position of an ally in the story (after having teamed up with Luffy during Impel Down), and like. Yuriko I love you, you so are so right

[giantkillerjack]

It's important to play a "LEVEL UP!" sound effect in your head whenever you get better at a skill because the world is flawed and so this does not happen automatically.

Often, in this life, we must provide our own sound effects.

[faedotexe]

So i'm working on a tiny roll & write about being a giant dragonness and conquering the land and burninating the countryside and uh I'm kind of trying to make """"""art""""" for it lmao

chat is this cringe

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[imbecominggayer]

How To Write Character Flaws

One of the most important aspects when writing a character are flaws since flaws increase reader immersion, reader investment, and the overall compelling energy of a story.

Flaws are necessary in creating character arcs where either these initial problems are improved or exacerbated.

Despite the fact that flaws are important, writers can struggle with how to seemlessly incorperate flaws within their characters in an interesting and natural way without just feeling like they're throwing bad traits in randomly.

Here we go!

A) All Character Traits Are Both Flaws And Strengths

Flaws are often dark reflections of the positive qualities identified in an individual.

If your lover is a strong and determined person then you are also likely dating someone who is stubborn.

If your friend is emotional and caring then they're also overly sensitive.

This is due to the fact that flaws are really just character strengths taken to their logical extreme. As the saying goes "the dose makes the poison". An excessive amount of carelessness, curiousity, love, emotion, confidence, and every single virtue inevitably results in personality defects.

You most likely have your character's strengths somewhat laid out whether these strengths be open-mindedness, kindness, determined, and anything else.

Taking these strengths to their logical extreme, you will often find flaws such as naivety, savior complex, stubborness, and other such flaws.

B) Whether Something Is A Strength Or A Flaw Depends On Context

Character A is trusting and Character B is distrusting.

Let's put them in the situation of meeting someone in order to illustrate how both character's defining traits could be their downfall depending on who this character is.

If this "someone" is a helpful individual, then Character B's flaw of distrust create unnecessary discorse within the group and could drive away this positive influence.

If this "someone" is a manipulative someone, then Character A's trusting nature harms the group as it allows someone harmful to enter.

Whether or not a character's actions are perceived as beneficial or harmful depends on if the result is good or bad for the character's goal.

This means that when you are presented with a character who seemingly has no flaws, what you can do is create situations where these good actions result in bad results.

An open-minded character might accidentally walk face first into a cult because they were too accepting of the weird activities

A kind character might cause their allies to become overly dependent on the individual's generosity

A determined character might be so obsessed with succeeding at this specific task that they fail to see the bigger picture and the more effective solution

[mlarty]

A couple of ppl asked us about Astarion and Marrow's relationship, so here is some text to the last illustration with them. Or.. more precisely about the best part of it. For them

So... they're like two cats. Two gremlins. A beautiful elf and a bedside monster. The chemistry between them is passionate, chaotic and in many ways weird, and it's hard to call their relationship any kind of healthy thing — they're both traumatized and not perfect people. They argue, they fight, and then BAM!, they are in love again. They are freaks with questionable morals and views on life that unexpectedly resonate with each other, although everyone else thinks they're the normal ones here. Marrow absolutely accepts the vampire nature and pesonality of Astarion, and he calmly understands her durge side and wildness. Another murder, another body, another nightmare — it's okay, as long as he's not involved. And it can even be used. And Marrow uses him too

This leads to a deeper bond — they’re monsters who share a deep mutual passion and the ability to see humanity in each other, even when it seems there is nothing human left. And monsters don't always mean something bad, it's just their love is a bit, well, twisted: their relationship isn't about typical romance stuff, but filled with almost animal adoration and desire. Kind of a dark magnetism that would freak out (and for good reason) the average people. But here's the thing, they're totally okay with that. Neither Marrow nor Astarion are about to change themselves or pretend to be these so-called "normal people" — they're not relearning how to love the "right" way, they're learning to love in their own style

And of course none of them planned to really love each other. And no one thought about "true love". True love is hard stuff when one is a vampire ex-slave and the other — a Bhaal's daughter and a murderer. It all started with manipulation: Astarion was looking for someone who would save him from Cazador, while Marrow wanted someone to save her from herself (or should we say she didn't dare admitted it openly, but needed). Then something happened and they fell in love because they finally found someone who accepted them just as they are. Because the scars on their lives are so similar. And because baby, let's live in darkness and sin together because that's what we want, not because someone told us to

[gnomewithalaptop]

Y'know, it's so funny to me when people make out like Tim Drake would keep files on how to take down his friends when Tim has explicitly said he disagrees with Batman on this:

[Young Justice (1998) #36]

Like, yes, during his Red Robin tenure he does make a Hit List full of contingency plans for known heroes. But if you go and read that, you'll notice that, while the Justice League and Damian may be on there, Tim's own friends are decidedly absent:

[Red Robin (2009) #14]

In fact, a lot of these heroes are people that have either (a) attacked Tim specifically, (b) have a track record that includes turning evil/getting mind controlled, or (c) are on the JLA (meaning Batman probably already had those files compiled and Tim just stole them).

So yeah: Tim's not down with contingency-planning for his friends. You know which one of the YJ crew DID agree with Batman though? My favorite blorbina Anita Fite, aka Empress:

[Young Justice (1998) #36]

But yeah, this contrast is honestly fascinating to me. Because while both Anita and Tim have been shown to be incredibly loyal individuals, this exchange really highlights the fact that, between the two of them, Anita is far more likely to engage in this kind of pragmatism when she thinks it's necessary to get the job done

The whole Our Worlds at War arc actually does a really good job of illustrating how both of them react to betrayal from within. It's not just the Batman Files conflict either -- I'm thinking specifically about the hallucination-based torture Granny Goodness put them through, which showed them their worst fears. Most of the team ended up having to watch their loved ones die, but what's super interesting to me is that we really only see Anita and Tim hallucinate that their loved ones blame them for their deaths:

[Young Justice (1998) #37]

Like. It's not the same as a teammate turning evil at all. But it does give us a good idea of how they'd both react when faced with a friend or teammate doing harmful things, albeit on a smaller scale. Because where Tim kind of just accepts Superboy yelling at him and moves straight into bargaining for Kon's life, Anita actually flips the script, gets angry, and defends herself against her father:

[Young Justice (1998) #37]

(she actually gets so righteously pissed off that she manages to break out of the VR simulation Granny Goodness had her trapped in, but that's another point)

But yeah, it's super interesting, because by this point, both Anita and Tim have been set up to be very similar characters. They both can be a little bit obsessive, they both have some issues with boundaries and stalking (Tim with Nightwing and Batman, Anita with Cissie), and of the team, they're both portrayed as the "normal" members (Anita does technically have mind control powers but she barely ever uses them, and in a fight, she's basically just a very good, human-level fighter)

But at the end of the day, though Batman forces Robin to put on a cool front of objectivity, Tim (at least in his pre-grief-spiral era) ultimately wants to see the best in his team. When the people he cares about screw up, he wants to give them second chances. And when that trust gets broken, his first instinct is to try to use diplomacy, or, failing that, simply remove himself from the situation (as we see at the end of the Our Worlds at War arc when he quits the team)

Anita, on the other hand, while still incredibly loyal, does not hand out that loyalty unconditionally. We see this when she tries to keep her identity secret from the YJ squad, we see it when she gets pissed in Granny Goodness's hallucination when her father blames her for her mother's death, and we see it when she later blames Secret for her perceived role in Anita's father's death

Anita also happens to sit right smack dab in the middle of the YJ morality scale; while she's generally pretty chill and willing to abide by typical superhero codes of ethics (unlike Slobo and Secret), she's also been shown to bend those rules when she believes it's necessary (as seen here when she tortures and threatens to kill a man for trying to hurt Cissie). Ultimately, what this means is, between Tim and Anita, it's honestly Anita who'd probably be the most willing to put her personal qualms aside, buckle down, and go against her loved ones if it was the only reasonable option

Anyway. This is a really long-winded way of saying I think Gun Batman's biggest nemesis should be Empress

[raven-at-the-writing-desk]

june 2024 octa + 4koma manga updates

As a reminder, no Episode of Savanaclaw manga chapter this month ^^ And without further ado, some of the highlights (in my opinion) of the latest manga updates:

This month's cover page illustration features Yuuta and Grim marveling over a chess board (since at this point in the story they're camping out in Savanaclaw). If you look closely, each of the pieces on the chessboard represent the relevant TWST characters; there are two card soldiers (presumably one for Ace and one for Deuce), a wolf for Jack, a hyena for Ruggie, and a lion for Leona on the "white" side. On the opposing "black" side (fitting, since Azul will OB soon) are two eel pieces for the twins and one octopus piece for Azul.

We continue the adorable overly flattering Ace from last month's chapter! Sad to say that I, too, would be completely fooled by this act-- asbfalebqejdqo The older merguard is also very cute and enthusiastic. I love that the manga can give faceless NPCs and mobs actual eyes. It grants them a lot more personality and soul! We continue the adorable overly flattering Ace from last month's chapter! Sad to say that I, too, would be completely fooled by this act-- asbfalebqejdqo The older merguard is also very cute and enthusiastic. I love that the manga can give faceless NPCs and mobs actual eyes. It grants them a lot more personality and soul!

HECK YEAH, IT'S TWEELS tERRORISM TIME BBABY 🤡 Jade and Floyd got sooo many good shots this chapter????? Love that the second page above shows us just how long Floyd is + how the two genuinely delight in scaring our crew (RIP Ace, he looks so close to death's door when he seeks Jade and Floyd peeking at him).

These panels paint the picture of the chase and fight being very frantic for our crew, but really being a chill game to the Leech brothers. They definitely have the upper hand this whole time, and the art helps to convey that feeling!

(Side note: that face Deuce makes with the pinched mouth is also top tier 👌)

So this chapter is the one where Leona swipes the keys to Azul's vault and robs him of all the golden contracts. This results in many, MANY distressed, panicked, and/or desperate expressions from Azul... all of which are soooo delicious <3 There's a ton more than what I've included here (I picked some of my faves), I just couldn't include them all because of Tumblr post image limits.

THE SMUGZUL LAUGH?????? ?? ??? ?? ?????? ? HIS ANSWER TO THE OJOUSAMA LAUGH

Featuring: out-of-shape nerd (relatable) Azul fans fr feasting this update 🙏

RUGGIIIIIIE 🥰 He makes a lot of :3 faces that are just great!!

ANOTHER THING THAT CAUGHT MY ATTENTION WAS THE SHEER AMOUNT OF LEONA SMUG IN THIS CHAPTER I MEAN SEEING LEONA SMUG MAKES ME GRIT MY TEETH AND WANNA KNOCK HIM DOWN A PEG BUT WOW IS HE PRETTY LIKE THIS AUVYFB32T73RANfhbabfobiqrBI/.L;,'KJM;N GGRRRRRRRRRRRRRR I HAT EYOU KINHSCHPLAR I HATE YOU SO MUCH i'm gONA PUNCHHF YOU IN YOUR STUPID SLUTTY ,.,NAFCLAVICLE

anyway Anyway ANYWAY!!!!!! Azul is so close to snapping now, boys :)))) Soon... SOON, OB AZUL AND CHILD!OCTAVINELLE IN HIS FLASHBACK...

Now for 4koma news! This month features a comic about Epel playing Magift/Spelldrive and another comic about Jamil cooking curry.

My favorite segment from the Epel comic! Grim is peak cuteness here, love that he curls into himself to brace for impact, INCLUDING THE FRIGGIN TAIL.

HLBQVUFOQVIYFA; This part made me think of my Gordon Ramsay in Twisted Wonderland series, specifically the fish-themed installment with Jamil and Deuce; in it, Jamil plots on making a seafood dish to serve to Azul as revenge for the events of book 4. In the Jamil 4koma this month, Jamil sees Octavinelle and then considers making a seafood/fish curry with that smug-ass face in the bottom-most panel 💀 That's all for now! See you next month for more~

[rayroseu]

I feel like this was obvious already but the castle illustrated in the Holiday Card that Malleus has given Yuu is actually Wild Rose Castle 😭 Before Book 7, I assumed this was the castle that is Malleus' home (Black Scale Castle basically), but Black Scale is covered with mountains instead of trees.

Whereas both the castle on the card and Wild Rose... their trees and the shape of the castle matches a lot, the position mirrors each other.

It just makes me tear up that there is actually references to Book 7 even earlier in game !! 😭✨This scene happened before Jamil's Overblot iirc and that was released so long ago now lol???

I wonder after Wild Rose Castle became a ruin, its become an "iconic place" on Briar Valley, that they make paintings that still "commemorates it."

I really believe that the castle Malleus wants to visit is actually Wild Rose (on his Bloom Birthday Interview).

However, based on Lilia's dream, Wild Rose doesn't seem to be getting reclaimation by Briar Valley,,, even though (as assumed by the art, it seems like its still in good condition, just covered it thorns), they're just letting it decay/become a ruin. Maybe to pay respect to the faes that died with it? Kind of like the Titanic and how "we can retrieve its ruins" but its more ethical to just let it deteriorate to pay respect to the dead that rests there yk

Also there was interesting build up in this vignette before the castle part... its that Malleus can go anywhere he wants, but he cannot go to places where he is uninvited. I wonder what makes him feel that he's "uninvited" with this castle ruin???😭 Its like he's repeating Lilia's situation where he took 400 years to visit Wild Rose again. Its assumed that Lilia didnt visit for a long time maybe because of his Unique Magic that he'll see how Meleanor died on that place?? There was also this instance where it feels like Malleus is referencing Lilia's UM, just that he's not seeing the past in scenery like Lilia, just feeling their presence for a bit(?).

Funny thing is about Malleus' Holiday Card... is that he sent this AFTER the holiday in Book 4 was over JDJSJS also I wonder what he said in this letter?

Malleus has always been consistent in inviting Yuu to Briar Valley, but this fact that he gave us a Holiday Card with Wild Rose Castle, a presumably ruin near Briar Valley reminds me of his wish that he wants to go to a castle ruins with someone... If we ever visit Briar Valley, I wonder if he'll take us on tour with the ruins instead of the Black Scale Castle/Dragon Capital City (out of the Senate's view yk) lol

[howtofightwrite]

Have you read GRRM books? He claims swords needed to be “especially designed for women’s hands” how true is this?

About as true as all of those, “girl guns.” Because, as you know, a woman cannot hold a Glock unless it's pink or sky blue. Which is to say, not even remotely true.

You might get a situation where a child would be unable to operate a weapon designed for adults because the grip is too cumbersome, but even this is going to be something of an outlier. Even years later the Nicholas Cage's line from Lord of War (2005) sticks with me, when describing the AK he narrates, “...so simple a child could use it, and they do.”

Just like basically any other common grip you encounter in your daily life, from screwdrivers to steering-wheels and cell phones, selling smaller, or more colorful ones, is strictly a marketing gimick.

Now, is a legitimate context, but it doesn't really have anything to do with the wielder's sex. If they had the money, the time, and the desire for a perfect grip, they might commission a smith to produce a grip specifically for their hand. Though, the only place I've ever come across this was in competitive fencing. I have seen cases where someone modifies their blade's grip with tape or other materials to better fit their hand, or the addition of a leather (usually shagreen) wrap over their grip, but even that is somewhat unusual. (Shagreen is leather from a shark or ray, and it grips the skin, making it easier to hold, especially when wet.)

Ironically, girl guns do illustrate the one case where have some weight: Weapons as fashion accessories.

I know I've complained about weapons (particularly handguns) as fashion accessories in previous posts, but the truth is that using weapons like this is not new behavior. In the early modern era, one of the ways the rising middle class liked to display their status was with a sidearm. (In this case, referring to a sidesword or, later, a rapier.) I've looked specifically into women carrying sidearms at that point in history, but it really would not surprise me in the least if they did, and if there were, that at least some of those swords were specifically designed to be more delicate and, “feminine,” per their owner's tastes. (Though, to be fair, a more delicate grip on a rapier would be fairly impressive, as the grips tend to be pretty thin.) This is a case where you might want to look into it further, if it really catches your interest, but I've never really run this down before.

If you're still dubious, feel free to wander into nearly any HEMA event, and you'll have a better than average chance of a woman being willing to prove this idea false with a Zweihander, that may in fact be taller than she is. (Historically, Zwiehanders could be over 2 meters long, and chances extremely good that you're shorter than 2 meters.)

I know I'm regurgitating previous posts here, but it really is worth remembering that swords are much lighter than people think. Zweihanders are some of the heaviest battlefield swords from history, and even the heaviest examples weigh less than 9lbs. Women in HEMA can, and do, use them effectively. Swords aren't about being big and heavy, they're about being a (in this case) seven foot long razor blade.

Since we're on the Zweihander specifically (and this may also apply for some of the other greatswords, such as the Scottish Claymore), this is a case where you might have a custom weapon forged for you. However, in this case, that's more about the right blade length, then worrying about the grip being too thick or too thin. Ideally, you want the blade length to match your height (roughly), this is because of the drills with the weapon itself, though you could adjust to a longer blade if that's what you had.

Now, to be clear, the idea of someone, particularly a noble, having a blade custom forged for them specifically isn't strange. That's something that did happen, both at the noble's request, and also as diplomatic gifts from other nations. Examples of the latter resulted in beautiful art pieces that you would never take into battle.

If you had a situation where you couldn't use a sword because the grip was too large (for, whatever reason), there are ways to fix that. In an ideal situation, you could simply pop off the pommel and grip, and then replace the grip with one that was a better fit to your hand. If the tang itself was the problem (this is the metal core of the grip, and is part of the blade, which the pommel attaches to), you might be able to shave (or file) down the tang, and then replace the grip with a new one, fitted to the now smaller tang. I'm not particularly wild about modifying the tang directly, simply because there is a (minor) risk of reducing the structural integrity of the sword in the process. Though, replacing the grip (especially on a sword with a threaded pommel) is very doable, and unless someone, somehow, screws up catastrophically, it should be a pretty trivial modification. (Again, replacing a sword's original grip with a new shagreen grip does make a lot of sense if the owner wants that improved grip.)

But, to the original question, it's not really a thing.

-Starke

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[skrunksthatwunk]

im kinda losing my shit here guys

enemy❓

just found the most beautiful scanlation of berserk

[alicenpai]

my piece for the Hemisphere: a Witch Hat Atelier seasons themed zine! thank you for having me! they're having a leftovers sale until stock runs out 🖋🍀🌷🍁❄🌧 WIPs + inspiration board + symbolism under the cut! got some requests to put this on my inprnt! the site has sales very often & you can grab it as a small or big size print.

I had a pretty good idea of the composition from the get-go. I took inspiration from art nouveau (primarily Alphonse Mucha), German fairy tales, and some 1920s perfume ads. I wanted the girls to look like fairies, akin to The Root Children by Sibylle von Olfers.

Olly just didn't work out in this drawing due to time restraints. I do love him very much though.

I actually kinda stopped making illustrations like these (including the TGAA/DGS tarot card + TGAA/DGS zine pieces a while back) because they were starting to get very hard on my arm, as I had an RSI (repetitive strain injury) a few years back during school. (Not putting the onus on the zines at all ofc! I genuinely love working with zine projects! it's def a me thing WAHAHAHA. my style was getting too anime and too detailed for my liking and everything was just taking forever to finish ngl. but I didn't have time to experiment with a more simple style outside of all of my deadlines)

I think that realizing you need to stop is okay. It's something that Shirahama teaches us in her story and I want to learn to take it to heart.

---

MILD SPOILERS AHEAD (for those who havent read the story I guess)

each character's symbolism:

- Coco - spring, clovers - Coco is the quintessential spring girl, and I wanted her to symbolize new beginnings, and oh boy did Coco bring a big one. The four leaf clover in particular symbolizes luck and good fortune - to some characters, Coco may have brought fortune, to others her presence brings misfortune, take that as you will.

- Tetia - summer, gladiolus - the name "gladiolus" comes from the Latin word "gladius", meaning "sword", based on the shape of the flower. you can interpret it as "you pierce my heart", perfect for a girl like Tetia, who has a contagious energy, with a romantic and grandiose nature.

- Agott - autumn, marigold - I read somewhere marigolds symbolize strength and power, perfect for our little magical powerhouse Agott. They can also symbolize jealousy (yellow flowers in particular have this association), which reflects on her rivalry with Coco in the beginning.

- Riche - winter, snowdrop - The white color of snowdrops has a strong connotation to innocence, which reflects on Riche's wish to stay a child forever. It can also symbolize rebirth and new beginnings (like Coco's clovers), as the snowdrop is the first flower to bloom in the spring, when the snow has not yet melted. I wanted the concept of "rebirth" to associate with Riche's friendship with Euini, and of his sort of "rebirth" into a new being.

- Qifrey - he does not have a flower per se, but as the caregiver and educator of the four girls, he represents the rainy season - precipitation being the one thing that binds all of these seasons together. (Note some areas of the world do not have a rainy season like where I live). I think somewhere along the line I wanted to put hydrangeas behind him, to really bring out the "rainy" theme, but the thought probably got lost somewhere in translation...

- bg flowers - honestly I just picked whatever. white lily, daffodil, hydrangea, zinnia, tulip

[python333]

task force 141 reacting to [reader] giving them a 'happy father's day' card — python333

— — — —

synopsis you give the tf141 boys some happy father's day cards!!

relationships platonic!taskforce 141 & younger!reader.

characters cap. price, soap, ghost.

warnings 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign], reader is intended to be around 16/17-20/21 but can be interpreted as older as long as they're below 24 (just so that the headcanons make more sense), maybe ooc?

note i'm so sorry but there's no gaz in this one BUT i can explain why!! i was doing my research (going through three different tumblr posts) to figure out the actual age of each character and gaz is apparently 24?? in new updates or whatever?? anyway, even before i found that out, i could only ever imagine writing him as an older brother, simply because he doesn't feel fatherly to me but still has those protecive-familial vibes so if yall want me to write something on him being ur older brother then feel free to request/reply/comment or whatever and i will! :3 this is all comfort no hurt and pure fluff so enjoy!!

JOHN “BRAVO SIX” PRICE

➥ OH GOD.

➥ man i don’t even have daddy issues and i’m crying.

➥ gives you that one dad smile he has—y’all know the one. don’t pretend you don’t—and thanks you for it.

➥ gives you a lil hug too because why not?

➥ tears up just the tiniest bit but it’s pretty unnoticeable but i need you to know that it’s there.

➥ either keeps it propped up on his desk, in one of the drawers of his desk, or puts it in a small frame and puts that on or in his desk.

➥ definitely reads it at least once a week.

➥ he’s so genuinely flattered by it i think that after you leave his office he’d tear up a bit.

➥ you thought he was acting as a father figure to you before?

➥ be prepared for him to take it to a whole nother level.

➥ starts getting you cheesy birthday cards after you start giving him father’s day cards.

➥ is he a father biologically? no. is he one mentally, emotionally, and spiritually? absolutely.

—

You were reasonably pretty nervous.

It wasn’t ever really a secret that you and Price had some sort of father-child-like relationship, what with the amount of hair ruffles, head pats, shoulder pats, etc. that you’d received from him and the swatting at his hand with your own that you had given back. But none of that took away the nervousness you had when you gave Price a father’s day card for the first time.

It’s not that you thought that he would be weirded out by it, you just had a small habit of overthinking things, and this happened to be one of those things. The card didn’t say too much inside of it, a simple ‘happy father’s day!’ and a sentence you wrote that mentioned that you were grateful to know him. That’s it. That’s all it was. And yet, your hand shook as you held it, the other hand knocking on the door of Price’s office.

He nodded in greeting and opened it, and stepped out of the way to let you walk in and sit in front of his desk. He sat at his usual seat after shutting the door, and you set the card in your lap, not wanting him to see it just yet.

“Is there any particular reason why you wanted to come into my office?” Price asked, breaking the silence. You took a deep breath and nodded before you quickly handed over the card, slipping it onto his side of the desk. He took a good look at it for a moment, reading the ‘happy father’s day!’ on the front and looking over the cheesy illustration on the cover. You anxiously waited for him to say something as he simply stared at it, before he picked it up and opened it, reading the short few words that were written on the inside.

You watched as his expression melted into a softer one, and he stared at the card for another moment before wordlessly getting up. Before you could say anything, or question anything, he knelt down to the level of the chair you were sitting in and hugged you. You were frozen with surprise before you hugged him back, loosely wrapping your arms over his shoulders, a little confused by the hug but appreciating the embrace nonetheless. He rubbed your back for a quick moment before standing back up straight and patting your shoulder.

”Thank you,” He said, smiling down at you. “I really appreciated that, kiddo.”

Oh, wow. I don’t know why, but I think I might start crying. “Yeah—yeah, of course,” You’d replied, quickly getting up and giving Price a quick hug before swiftly walking to the door, “I’ll just, uh, I’ll be in my room. Or, actually, no, I’m gonna go—I’m gonna go bother Soap in his office, so if you need me I’ll be in there okaybyeCaptainI’llseeyoulater!” You rushed out, not looking back as you closed the door behind you.

Price had blinked at the door for a moment before huffing out a small laugh and sitting back down in his chair, looking at the card you’d given him one last time before sighing and letting himself tear up a bit. Eventually, after just sitting there and staring at the card, he unlocked one of the few locked drawers at the bottom of his desk and put the card there, for safekeeping.

—

JOHN “SOAP” MACTAVISH

➥ he’s so excited when he reads that card.

➥ he’s so flattered?? and is so happy?? and oh my god he might pass out?? from all the positive emotions he feels??

➥ be careful with what you say because you might break him beyond repair.

➥ it’s like you’ve given a puppy it’s first treat, honestly.

➥ won’t cry but is very close to!!

➥ will definitely show off the card to everyone.

➥ when i say everyone i mean EVERYONE.

➥ he will talk everyone’s ear off about it, no matter who they are or what they’re doing, hell, the man could be pissing with his dick out at the urinals and everything and he’ll still be ranting to the poor soul in the bathroom about what a sweetheart you are and how you gave him a father’s day card.

➥ he starts calling you ‘lamb’ and ‘duckie’ after the whole ordeal.

➥ no i didn’t ask chatgpt for terms of endearment scottish parents use for their children haha!!

➥ he buys a corkboard just to pin the card to in his office.

➥ like it’s literally just in the middle, nothing else on the corkboard, just that singular father’s day card.

➥ the whole thing is just reserved for father’s day cards tbh. he hopes to fill it up with as many cards as you’ll give him, and if you only give him the one, then damn it, the corkboard’s only gonna have one thing on it and whoever questions it can mind their damn business.

—

You didn’t really know what to expect with Soap when you gave him the card.

You felt pretty confident giving it to him, knowing the guy could probably receive a rock with googly eyes on it from you and still cry tears of joy knowing you gave it to him of all people, so giving this card to him was no big deal, right?

You found him in the recreational center, lounging on the couch, reading a book—shocking, I know—and quietly reading the words out loud to himself. The moment you had entered the center, though, he looked up from his book and nodded in greeting at you with a smile on his face and watched as you walked over to him.

Before he could say anything, you quickly put the card in his lap and watched as he looked up at you, a surprised and amused expression on his face.

“What’s this?” He asked, not looking down at the card just yet.

“Read it,” You’d insisted, gesturing towards the card in his lap. He blinked at you for a moment before muttering, “Alright, then,” under his breath and looking down at the card. He picked it up and read the three short words on the front and looked over the illustration on the cover, and the moment the words registered in his brain, his face broke out into a grin and he looked up at you.

“Aww, this is sae sweet,” Soap gushed, “Thank ye!”

He got up before you could talk and hugged you tightly, lifting you off the ground a bit, cooing, “Ye're jist the sweetest, ma God, when did ye get the card?”

“I got it a while ago,” You had admitted, “Decided to give it to you now.”

Soap set you down and put both of his hands on your shoulders, gently rubbing circles into them with his thumb, looking down at you with an elated grin, "I'm gonnae hang this up in ma office—I'll get a corkboard an' everything, jist for this."

You looked up at him with a confused, but amused look on your face, asking, “And you’re just gonna hang that card on there?”

He nodded in confirmation and responded, “Aye, it'll be deid center, naething else on there."

—

SIMON “GHOST” RILEY

➥ oh my goodness.

➥ the moment you hand him the card, it’s like he already knows what it is without reading it.

➥ probably thinks it’s a joke at first.

➥ when he realizes that you’re serious he straight up tears up.

➥ like in front of you and everything he’ll tear up.

➥ “... Are you crying?” ghost, tearing up and literally about to start sobbing, "No.”

➥ he treasures that thing and would literally cease to exist if he ever lost it or if it got destroyed.

➥ won’t flaunt it at all, instead he keeps it in the pocket of a jacket he never wears anymore.

➥ if you ever give him more cards, he’ll consider getting a box to keep them in.

➥ he’s always called you ‘kid’ but after this he starts calling you ‘kiddo’.

➥ THERE’S A DIFFERENCE. I CANNOT TELL YOU WHAT IT IS BUT THERE IS A DIFFERENCE.

➥ listen kiddo is more affectionate and its softer and its not as playful as kid its more personal and and and [explodes]

➥ the others notice the small change in behavior he has towards you (being more lighthearted with his teasing, generally being less cold with you, etc.) and will tease him endlessly about it.

➥ by others i mean soap and gaz. those two team up and tease him to death.

➥ he could care less though!! he tells himself that they’re idiots anyway and that his behavior hasn’t changed that much.

➥ he’s in denial and i think that him and me are the same fr.

—

You had practically searched every corner, crevice, nook, and cranny of the base searching for Ghost. When you finally found him, he was in the armory and weapons room cleaning the barrel of his rifle, hyperfocused on wiping away the gunk on the gun. You stopped by the door, hesitating in giving him the card. It really shouldn’t be that hard, You thought, What’s the worst that could happen?

You were aware that there were many things that could happen, most of which were bad, but you ignored them for the sake of building up your confidence to give him the card. You stood there for a while, just sort of staring at him, before he—not even looking up from his gun—called out to you with a simple yet firm, “Do you need something?”

You probably could’ve died right there, his firm voice almost completely shattering your confidence for reasons you couldn’t specify, but you instead cleared your throat and walked out of the doorway and completely into the room. You walked over to him and before he could ask any further questions you held the card out to him, your hand having a small tremble to it, an uncomfortably visible display of your nervousness.

He stared at the card for a moment before setting down the cloth he was using to clean his gun and grabbing it, reading the front for a moment before huffing out a small laugh and looking up at you to tease you for it. He was going to tell you what a ‘funny’ joke it was, to tell you to just go do whatever work you’re probably skipping out on when he sees the look on your face that tells him that you’re pretty serious about the card.

He looked back down at the card and read it again, the words ‘happy father’s day’ echoing through his mind as he opened it. He read the few short words on the inside of the card and the shitty drawing of a ghost right next to one that was scribbled out—because of course you had to use pen and weren’t satisfied with the first ghost you drew even though Ghost could make out through the scribbles that they practically looked the same.

You were pretty nervous the longer the silence stretched out, and you were about to take back the card and go jump off a cliff to avoid ever looking at Ghost again when suddenly you hear a sniffle.

“Are you… are you crying?” You’d asked, more confused than nervous now, watching as Ghost shook his head negatively and continued to stare at the inside of the card.

“No,” He answered, sniffling again.

“... You sure?” You’d asked again, far less nervous now, your tone becoming more teasing.

“Positive.” Ghost said firmly, though his voice had wavered a bit. He looked up at you and reached his hand up to give you a pat on the shoulder, muttering, “Thank you for that, kiddo.”

"Yeah, no problem," You had said back, smiling down at Ghost before taking a step back, "I'll leave you to keep cleaning your gun, or whatever."

Ghost had simply nodded and looked back at the table where your card and his gun laid, and you didn't stay long enough to watch him tear up all over again at the sight of the letter.